Call it clave, or call it hambone — the beat’s the same
(aired September 08, 2017 on Public Radio International’s “The World”)
Recently, radio host Ayana Contreras went to Cuba to dig into a rhythm known as clave.
Ayana is the host of “Reclaimed Soul” on Vocalo Radio in Chicago, a sister station of WBEZ.She says clave is essentially a “five-beat rhythmic structure and it’s the backbone of a lot of Latin music forms and a lot of African music forms.” In Latin music, the rhythm is tapped out using wooden sticks, which are also called claves.
You hear the rhythm in various music genres like Afro-Cuban, salsa, boogaloo and mambo.
While some people may be unfamiliar with the term “clave,” they may have heard the term “hambone.” It’s also a rhythm built on the five-beat structure, though we’re not sure which came first — clave or hambone.
Jamila Woods talks HEAVN and spiritual and socio-political themes behind her debut album
In 2016, I sat down with Chicago based singer and poet Jamila Woods to talk about her debut album HEAVN and spiritual, social and political themes behind it.
Arts Incubator / Ayana Contreras / Artists-In-Residence
Video recapping my artist residency at the University of Chicago, 2015.
Artists in Conversation: Ayana Contreras
A conversation between Arts+Public Life and Center for the Study of Race, Politics and Culture artist-in-residence Ayana Contreras and Richard Steele, host of WBEZ/Vocalo’s “The Barber Shop Show”. Recorded July 29, 2015 at the Logan Center.
Arts Incubator / April 28, 2015
Symposium organized to discuss issues present in Regina Taylor’s play, “stop. reset.”. Play was presented at the Goodman Theatre in 2015.
In stop.reset, Alex Ames, an African-American publisher of books, is looking for someone to whom he can pass on his legacy. He is concerned with how he will be remembered. Historically, books have been the vessels of memory, what will hold memory in the future? How can we move forward if we have no real appreciation of ancestry and legacy? Have we become watchers rather than doers, on the sidelines videotaping life? Is the phone the portal to the soul? Can you make art with it?
Moderator: Lee Bey
• Tracie Hall, Deputy Commissioner of the Department of Cultural Affairs & Special Events
• Khari B., President of the Association for the Advancement of Creative Musicians
• Mwata Bowden, musician, Khari B.’s father
• Ayana Contreras, Arts Incubator Artist in Residence
Above, a bit of video from my 2011 Artistic Residency with Theaster Gates’ Dorchester Projects, in which I wax poetic about Chicago’s own Mercury Records, Jerry Butler, and the Impressions.
My artistic practice involves sharing the stories behind the music I love with the general public. This plays out via Audio Production, DJing, and blogging. My ultimate goal is to get people to reevaluate the undervalued vestiges of our past. For more on this idea, please click here.
My radio show, Reclaimed Soul (which airs on Vocalo 91.1fm Chicago), is all about re-evaluating and remixing what’s all around us in order to create fuel to push us forward. Sometimes what can be remixed is an empty storefront, sometimes it’s a song.
Archives of the show can be accessed here.
Below are audio pieces that I’ve produced that were broadcast in Chicago on Vocalo 91.1FM (a Sister Station of Chicago Public Media).
Shacks And Shanties: a temporary art project
The “Shacks & Shanties” project is a South Side Chicago installation initiative organized by Faheem Majeed. Shacks were constructed as platforms for artistic performances and installations. I attended one such installation/performance, titled “Ghana Must Go” after the infamous plaid patterned tote bags that are so prevalent in West Africa. I talked to Faheem
Majeed as well as Abbéy Odunlami, the artist behind “Ghana Must Go”. We talked about community engagement, fashion, and appropriation.
70s Black Rock, or the Ties that Bind
In 2013 at Chicago’s Music Box Theatre, I caught a documentary about Death, a 1970s all-black proto-punk band out of Detroit. The documentary, titled “A Band Called Death” chronicled the group’s forming, brush with success, and descent into obscurity. The master tapes of their sole album, recorded under Don Davis’ Groovesville productions languished in an attic for over thirty years. That is until a perfect storm of record collectors resurrected the work, resulting in a New York Times article, a reissue, and a tour.
click here for more of my portfolio.